Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.
这部剧情片的画面真是太美了,每一帧都可以截图当壁纸。导演和摄影师在光影的运用上达到了极致,无论是自然光的柔和还是人造光的戏剧性,都被运用得恰到好处。色调的选择也非常讲究,冷暖色调的对比不仅好看,更在叙事上起到了情绪引导的作用。特别是几场夜景戏,暗部细节保留得非常完整,没有死黑也没有过曝,这种技术水准让人不得不佩服制作团队的专业程度。
说真的,进电影院之前我连预告片都没看,就纯属周末无聊随便买的票。结果没想到捡到宝了!从头到尾没有任何一个地方让我想掏出手机,这在近两年的观影经历里可以说是相当罕见了。节奏把控得刚刚好,不会让人觉得拖,也不会快得让你跟不上。演员德建·库克,纳达·萨金,兹拉特科·布里奇,克拉斯·邦,加斯帕·克里斯滕森,崔娜·蒂虹,琳恩·玛丽亚·克里斯滕森也都挺在线,没有那种让人出戏的尴尬表演。就冲这份惊喜感,我觉得已经值回票价了。
结局令人满意,所有的线索都得到了合理的收束,没有烂尾。
虽然有不成熟的地方,但能看到创作者的诚意和用心,值得鼓励。
导演的叙事功力扎实,节奏掌控得当,镜头语言富有感染力。
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